Synopsis: While home sick in bed, a young boy’s grandfather reads him a story called The Princess Bride.
What’s it like? ‘The Princess Bride’. It really is in a league of its own.
Film: 10/10. Yes, a perfect score. ‘The Princess Bride’ is the melding of a multitude of genres into a tale that quite literally caters for everyone. Sword fights, comedy, romance, revenge, true love and the addition of a pitch perfect cast make for one of my favourite films of all time. 98 mins.
Picture quality: 8/10. Considering the disc was released 8 years ago the results are quite good. The master used is in good shape with some very nice detail, vivid colours (the lush grass and Buttercup’s red dress are standouts), a light layer of grain and consistent contrast. Considering it likely wasn’t a fresh scan at the time it’s a good result.
Audio quality: 8/10. The film is accompanied by and audio track capable of ticking all the boxes. Dialogue is always clear, Mark Knopfler’s score is perfectly prioritised and sound effects play around the entirety of the soundstage, making good use of the surrounds when needed. Much like the film, this track has a little bit of everything from some engaging action sequences to some subtle ambience.
Disc reviewed: Country: U.S., Studio: MGM, Region: A locked
Director: Rob Reiner
Starring: Cary Elwes, Robin Wright, Mandy Patinkin, Chris Sarandon, Andre the Giant
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Synopsis: Rob, a record store owner and compulsive list maker, recounts his top five breakups, including the one in progress.
What’s it like? ‘Grosse Pointe Blank’ minus the guns and plus a big dose of ‘Almost Famous’.
Film: 8/10. John Cusack fans are in for a treat. It’s not a one-man show but all the supporting characters are there in service in honour of Cusack’s Rob. He’s the focus and it’s the perfect approach as it mirrors the motivations of the character – he’s in things for himself. At its heart the film is a romantic comedy, even if many of the things that happen (of have happened in the character’s lives) are neither funny or romantic – some are quite horrifying. 114 mins.
Picture quality: 6/10. Based on an older master, the quality is decent overall but does show so issues from time to time. Close ups are nicely detailed, contrast is good and colours are mostly accurate. Unfortunately some long and midrange shots lack definition. They get a bit muddy and lack the clarity a newer master would bring.
Audio quality: 7/10. This track comes alive best when the various songs that populate the soundtrack burst from the speakers. Their clarity is excellent and lend the film energy. When there are lulls between songs the dialogue can tend to become slightly flat. It’s never muffled but it doesn’t quite have the dynamics a truly great track needs. John Cusack’s fourth wall talks take on that energy though.
Disc reviewed: Country: Australia , Studio: Disney/Buena Vista, Region: Region free
Director: Stephen Frears
Starring: John Cusack, Iben Hjejle, Todd Louiso, Jack Black, Lisa Bonet
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Synopsis: A behind-the-scenes look at the life-and-death struggles of modern-day gladiators and those who lead them.
What’s it like? ‘Friday Night Lights’ with the dramatic weight of ‘Heat’.
Film: 8/10. Director Oliver Stone takes aim at gridiron with interesting results. The film is more about generational differences and the conflict that comes from them than about the game. Everyone from players, the coach, the medical staff and the team owners are playing out this conflict. It makes for fascinating love-it-or-hate-it viewing as you’ll either like the unique approach or be left wondering where all the gridiron went. 157 mins.
Picture quality: 7/10. The film looks quite good in high definition. Details are solid and colour pops quite nicely. There are quite a few scenes stylised by lighting and colour schemes – some result in the creation of a “character” for that scene, whilst others (particularly scenes awash in yellow and brown) create a duller look. Much like the audio discussed below, it’s quite good most of the time but never great.
Audio quality: 7/10. A somewhat varied experience. There are moments where there’s great clarity and precision in the mix and others where the mix becomes muddled. Occasionally dialogue can suffer also, however this occurs in both frenetic game sequences and in quieter dramatic moments so it’s not a result solely of the mix being too busy. Surround activity and LFE content is decent. An above average track, but one with a few issues.
Disc reviewed: Country: U.S., Studio: Warner Bros, Region: Region free
Director: Oliver Stone
Starring: Al Pacino, Cameron Diaz, Dennis Quaid, James Woods, Jamie Foxx
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Synopsis: Ash has spent the last 30 years avoiding responsibility, maturity and the terrors of the Evil Dead until a Deadite plague threatens to destroy all of mankind and Ash becomes mankind’s only hope.
What’s it like? ‘The Evil Dead’ infused with the CGI violence of ‘Spartacus’ and the comedy of ‘Road Trip’.
Film: 7/10. As a long-time fan of ‘The Evil Dead’ franchise I’d been patiently waiting for more. We’d gotten close a few times and then we got a reboot in 2013 that seemed to close the original chapter. Two years later, Ash is back! The franchise translates reasonably well to series with the over the top violence of the first two films and the comedy of ‘Army of Darkness’. Bring on season two! 294 mins.
Picture quality: 8/10. If you’re a long-time fan of ‘The Evil Dead’ the picture quality might take some getting used to. For starters, there are substantial portions of the series set in the daytime. The digital filming also keeps things quite clean with the exception of some digital noise from time to time so that’s quite a departure from the grainy film stocks of the original films. All the gritty, grimy details are captured wonderfully though and with 2.5 hours of episodes per disc compression is handled well.
Audio quality: 10/10. Here’s where the series really excels. Everything about the audio is top notch – dialogue is crisp and clear, music sounds full, gunshots pack a punch and the various squelching and snapping sounds of dearly departed Deadites make for good, clean fun.
Disc reviewed: Country: U.S., Studio: Starz/Anchor Bay, Region: Region free
Starring: Bruce Campbell, Ray Santiago, Dana DeLorenzo, Lucy Lawless, Jill Marie Jones
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Synopsis: A national manhunt is ordered for a rebellious kid and his foster uncle who go missing in the wild New Zealand bush.
What’s it like? ‘Stand by Me’ infused with the twisted wit of a Roald Dahl novel.
Film: 9/10. Taika Waititi’s star is on the rise. This critically acclaimed third film is what netted him the reigns on the upcoming Thor: Ragnarok. You can see why – he’s able to handle action and comedy well and frames it around a dramatic story with real heart. Sam Neill and relative newcomer Julian Dennison nail their roles and help sell this unique adventure. 101 mins.
Picture quality: 9/10. Shot digitally, the film is amazing detailed. The gritty details of Aunty and Hec’s weathered home are reproduced flawlessly. There’s also some stunning New Zealand scenery on show and it all looks great. Aside from some minor banding in a few shots this is one impressive looking disc.
Audio quality: 9/10. The ‘Hunt for the Wilderpeople’ soundtrack makes for extremely enjoyable listening. It is not overbearing or aggressive, however it’s always engaging, whether it be the subtle ambiance of the New Zealand forest or the unique score. It’s a polished mix, just like the excellent picture quality.
Disc reviewed: Country: Australia , Studio: Madman, Region: Region free
Director: Taika Waititi
Starring: Sam Neill, Julian Dennison, Rima Te Wiata, Rachel House, Tioreore Ngatai-Melbourne
Pick up a copy of the local release from madman.com.au.
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Synopsis: On its maiden voyage in April 1912, the supposedly unsinkable RMS Titanic hits an iceberg in the Atlantic Ocean.
What’s it like? The drama of ‘In Which We Serve’ meets the disaster of ‘The Poseidon Adventure’
Film: 9/10. Although James Cameron created the most commercially successful Titanic film, this one will always be my favourite. It doesn’t require the melodrama of Cameron’s film and instead chooses to focus on the actual events. A raw look at the most well-known disaster of all time. 124 mins.
Picture quality: 10/10. Criterion’s restoration is amazing. The film has scrubbed up wonderfully. Detail is excellent, especially considering the majority of the film is set at night. Contrast and clarity is fantastic. Even the majority of the visual effects hold up quite well – an impressive feat for a film nearing 60 years old.
Audio quality: 9/10. The restoration work on the audio track completed by Criterion is almost as impressive. There are no significant fluctuations in levels, hiss and crackle are gone and clarity of both the dialogue and score is excellent. Some extremely minor source-related issues creep in – specifically around dialogue recorded in less than ideal conditions – but it’s very infrequent and doesn’t detract from an otherwise great track.
Disc reviewed: Country: U.S., Studio: Criterion, Region: A locked
Director: Roy Ward Baker
Starring: Kenneth More, Ronald Allen, Robert Ayers, Honor Blackman, Anthony Bushell
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Synopsis: Coming closer to his dream of leading a normal life, a professional safecracker agrees to do a job for the Mafia, who have other plans for him.
What’s it like? Rififi meets The Killing
Film: 10/10. Michael Mann’s theatrical directorial debut may just be his best work. Less well known than Heat but more impressive, Mann captures the duality of the city of Chicago – “normal” by day, but filled with dangerous dark spaces and brightly lit neon lights that assault the senses at night. Caan’s best leading performance. 125 mins.
Picture quality: 10/10. Arrow has used Criterion’s 4K restoration and it’s incredibly impressive. Aside from a handful of shots with source related issues (soft shots mainly) there’s an amazing level of detail on show. Contrast and colour reproduction is excellent and really makes the vivid lighting of the city stand out in the night-time sequences.
Audio quality: 10/10. The remastered audio is top notch. Dialogue is perfectly reproduced, the atmospheric effects make the city come alive and the various heist and action scenes are filled with a flurry of precise activity. Tangerine Dream’s amazing score is a character of the film itself and sounds fantastic.
Disc reviewed: Country: U.K., Studio: Arrow, Region: B locked
Director: Michael Mann
Starring: James Caan, Tuesday Weld, Willie Nelson, James Belushi, Robert Prosky
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